| Textile
Resources
Home Page -coming soon
Nigerian women's
weaving gallery - click the image below to view cloths we have for sale here

Web Links: - none known
References:
Afigbo, A. & Okeke,
C. 1985. Weaving Tradition in Igboland
Aremu, P. 1982.
"Yoruba Traditional Weaving: Kijiipa Motifs, Colour and
Symbols" in Nigeria Magazine 140
Aronson, L. 1980.
"History of Cloth Trade in the Niger Delta: a study of
diffusion." in Idiens, D. & Ponting, K. 1980. Textiles of Africa
Aronson, L. 1989.
"Akwete Weaving: Tradition and Change" in Engelbrecht, B.
& Gardi, B. eds. Man Does Not Go Naked
Aronson, L. 1992.
"Ijebu Yoruba Aso Olona" in African Arts 25
Aronson, L. 2001.
"We weave it:" Akwete Weavers, their patrons, and Innovation
in a Global Economy. in Tornatore, S. ed. Cloth is the Center
of the World: Nigerian Textiles, Global Perspectives.
Borgatti, J. 1983. Cloth
as Metaphor
Kriger, C. 1993.
"Textile Production and Gender in the Sokoto Caliphate" in Journal
of African History 34
Lamb, V. & Holmes,
J. 1980. Nigerian Weaving
Murray, K. 1936.
"Women's weaving among the Yorubas of Omu-aran in Ilorin
Province" in Nigerian Field 5
Okeke, C.S. 1980.
"Use of Traditional Textiles Among the Aniocha Igbo of Mid-western
Nigeria" in Idiens, D. & Ponting, K. 1980. Textiles of Africa
Perani, J. 1977. Nupe
Crafts: the Dynamics of Change in Nineteenth and Twentieth Century
Weaving and Brass Working (PhD
thesis, University of Indiana)
Picton J. & Mack J.
African Textiles (1989, 2nd Edition)
Picton J. 1980.
"Women's Weaving: the Manufacture and Use of Textiles Among the
Igbirra People of Nigeria." in Idiens, D. & Ponting, K. 1980. Textiles of Africa
Poyner, R. 1980.
"Traditional Textiles in Owo, Nigeria" in African Arts
14
Renne, E. 1995. Cloth
that does not die: the meaning of cloth in Bunu social life.
Renne, E. 1992. "Aso
Ipo: Red Funeral Cloth from Bunu" in African Arts 25
Renne, E. 1992.
"The Decline of Women's Weaving Among the North-east Yoruba"
in Textile History 23
(c)Duncan Clarke, Version
10/30/2002 |
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Ijebu-Ode: The capital of the ancient
Yoruba speaking kingdom of Ijebu, its women weavers produce
a distinctive style of highly ornate cloth known as
aso olona, cloth with decorations or
art. Bands of weft float decoration representing designs
such as crocodile, frog, elephant, and koran board, are
alternated with bands of shaggy pile weave. These cloths are
worn as insignia of office by members of a once powerful
association of elders known as Oshugbo (or Ogboni). The
earliest known example of this type of cloth, in the Royal
Scottish Museum, Edinburgh, dates from as early as
1790. The cloths were once traded along the coastal lagoons to the
Niger delta region where they became known as ikakibite or
"tortoise cloth" and highly prized in local rituals.
Akwete Igbo women weavers then produced similar designs,
although they are clearly distinguishable by the wider panels
woven.
Akwete:
This small town just north of the city of Port Harcourt is one
of the last centres of a once much wider tradition of Igbo
women's weaving. It is famous throughout eastern Nigeria for the
quality of the cloths produced there which are highly prized for
the Igbo women's ceremonial dress known as "Up and
Down", in which two cloths are wrapped around the body, one
at the waist, the other under the arms. Akwete women use a
uniquely wide version of the loom, allowing a single width of
cloth to form a women's wrapper. Among the huge range of designs
produced is a version of the Ijebu aso olona, which they have
woven since at least the C19th for sale to the Ijaw people of
the Niger Delta to the south. As our small contribution to
supporting the continued survival of this unique community of
highly talented Igbo women weavers we will be bringing you from
time to time examples of newly woven cloths we have obtained
from the ladies weaving cooperative in Akwete as well as older
textiles when available.
Nupe: the
Nupe live along the river Niger in central Nigeria, around their
capital of Bida. Bida was once the capital of a Fulani-ruled
emirate renowned in West Africa for its craftworks, which
include decorative brass casting, embroidery, and glass bead
making, as well as both men's and women's weaving. Islam is now
the dominant religion in the town, and women weave hidden in the
passageways of labyrinthine mud-walled compounds to which
non-family men are forbidden entrance. Among the textiles they
wove in the past are elaborate marriage cloths known as duna
(left),
and some beautiful predominantly red wrapper cloths.
Eastern
Yoruba: Among Yoruba and Yoruba related peoples such as the
Igbomina, Ekiti, Yagba, and Bunu, there was relatively little of
the male narrow strip aso oke weaving (which was primarily
associated with the Oyo Yoruba.) Instead large numbers of women
wove predominantly indigo-dyed wrapper cloths, both for domestic
use and for trade. Aside from the superb accounts of Bunu
weaving by Renne there is little documentation of the wide
variety of indigo cloths that were woven in this region. It is a
particular interest on mine at the moment and we are
encountering numerous previously unrecorded local styles as we
reach new areas. Today there is very little weaving in the area,
with perhaps one or two elderly ladies still active in each
area.
Northern
Edo: the
Northern or Akoko Edo are a culturally diverse range of peoples
living in small villages to the south and west of the town of
Okene. Alongside a lot of very obscure and localised traditions
of cloth decoration, they wove fine indigo wrappers from
hand-spun cotton. The picture below (taken in the 1960s)
shows senior women from the royal family in a small village
called Somorika wearing locally woven cloths, some of which mix
hand spun cotton with white linen-like thread obtained from tree
bark.
To View
Our Nigerian Women's Cloths CLICK HERE
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