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Nigerian Women's Weaving

Page Two

Textile Resources Home Page -coming soon

Nigerian women's weaving gallery - click the image below to view cloths we have for sale here

Web Links: - none known

References:

Afigbo, A. & Okeke, C. 1985. Weaving Tradition in Igboland

Aremu, P. 1982. "Yoruba Traditional Weaving: Kijiipa Motifs, Colour and Symbols" in Nigeria Magazine 140

Aronson, L. 1980. "History of Cloth Trade in the Niger Delta: a study of diffusion." in Idiens, D. & Ponting, K. 1980. Textiles of Africa 

Aronson, L. 1989. "Akwete Weaving: Tradition and Change" in Engelbrecht, B. & Gardi, B. eds. Man Does Not Go Naked

Aronson, L. 1992. "Ijebu Yoruba Aso Olona" in African Arts 25

Aronson, L. 2001. "We weave it:" Akwete Weavers, their patrons, and Innovation in a Global Economy. in Tornatore, S. ed.  Cloth is the Center of the World: Nigerian Textiles, Global Perspectives.

Borgatti, J. 1983. Cloth as Metaphor

Kriger, C. 1993. "Textile Production and Gender in the Sokoto Caliphate" in Journal of African History 34

Lamb, V. & Holmes, J. 1980. Nigerian Weaving

Murray, K. 1936. "Women's weaving among the Yorubas of Omu-aran in Ilorin Province" in Nigerian Field 5

Okeke, C.S. 1980. "Use of Traditional Textiles Among the Aniocha Igbo of Mid-western Nigeria" in Idiens, D. & Ponting, K. 1980. Textiles of Africa 

Perani, J. 1977. Nupe Crafts: the Dynamics of Change in Nineteenth and Twentieth Century Weaving and Brass Working (PhD thesis, University of Indiana)

Picton J. & Mack J. African Textiles (1989, 2nd Edition)

Picton J. 1980. "Women's Weaving: the Manufacture and Use of Textiles Among the Igbirra People of Nigeria." in Idiens, D. & Ponting, K. 1980. Textiles of Africa 

Poyner, R. 1980. "Traditional Textiles in Owo, Nigeria" in African Arts 14

Renne, E. 1995. Cloth that does not die: the meaning of cloth in Bunu social life

Renne, E. 1992. "Aso Ipo: Red Funeral Cloth from Bunu" in African Arts 25

Renne, E. 1992. "The Decline of Women's Weaving Among the North-east Yoruba" in Textile History 23

 

 

 

 

 

(c)Duncan Clarke, Version 10/30/2002

 
Ijebu-Ode: The capital of the ancient Yoruba speaking kingdom of Ijebu, its women weavers produce a distinctive style of highly ornate cloth known as aso olona, cloth with decorations or art. Bands of weft float decoration representing designs such as crocodile, frog, elephant, and koran board, are alternated with bands of shaggy pile weave. These cloths are worn as insignia of office by members of a once powerful association of elders known as Oshugbo (or Ogboni). The earliest known example of this type of cloth, in the Royal Scottish Museum, Edinburgh, dates from as early as 1790. The cloths were once traded along the coastal lagoons to the Niger delta region where they became known as ikakibite or "tortoise cloth" and highly prized in local rituals. Akwete Igbo women weavers then produced similar designs, although they are clearly distinguishable by the wider panels woven.

Akwete: This small town just north of the city of Port Harcourt is one of the last centres of a once much wider tradition of Igbo women's weaving. It is famous throughout eastern Nigeria for the quality of the cloths produced there which are highly prized for the Igbo women's ceremonial dress known as "Up and Down", in which two cloths are wrapped around the body, one at the waist, the other under the arms. Akwete women use a uniquely wide version of the loom, allowing a single width of cloth to form a women's wrapper. Among the huge range of designs produced is a version of the Ijebu aso olona, which they have woven since at least the C19th for sale to the Ijaw people of the Niger Delta to the south. As our small contribution to supporting the continued survival of this unique community of highly talented Igbo women weavers we will be bringing you from time to time examples of newly woven cloths we have obtained from the ladies weaving cooperative in Akwete as well as older textiles when available.

Nupe: the Nupe live along the river Niger in central Nigeria, around their capital of Bida. Bida was once the capital of a Fulani-ruled emirate renowned in West Africa for its craftworks, which include decorative brass casting, embroidery, and glass bead making, as well as both men's and women's weaving. Islam is now the dominant religion in the town, and women weave hidden in the passageways of labyrinthine mud-walled compounds to which non-family men are forbidden entrance. Among the textiles they wove in the past are elaborate marriage cloths known as duna (left), and some beautiful predominantly red wrapper cloths.

Eastern Yoruba: Among Yoruba and Yoruba related peoples such as the Igbomina, Ekiti, Yagba, and Bunu, there was relatively little of the male narrow strip aso oke weaving (which was primarily associated with the Oyo Yoruba.) Instead large numbers of women wove predominantly indigo-dyed wrapper cloths, both for domestic use and for trade. Aside from the superb accounts of Bunu weaving by Renne there is little documentation of the wide variety of indigo cloths that were woven in this region. It is a particular interest on mine at the moment and we are encountering numerous previously unrecorded local styles as we reach new areas. Today there is very little weaving in the area, with perhaps one or two elderly ladies still active in each area.

Northern Edo: the Northern or Akoko Edo are a culturally diverse range of peoples living in small villages to the south and west of the town of Okene. Alongside a lot of very obscure and localised traditions of cloth decoration, they wove fine indigo wrappers from hand-spun cotton. The picture below (taken in the 1960s)  shows senior women from the royal family in a small village called Somorika wearing locally woven cloths, some of which mix hand spun cotton with white linen-like thread obtained from tree bark.

 

To View Our Nigerian Women's Cloths CLICK HERE